Project Timeline

April 2017

Coverversation Collective with Claudia Mahler and Cornelia Thomsen.
















Out on the street in the form of poster and stickers with Karl Klingbiel, wheatpaste partner.

















































February 2017

Codex Artist Book Fair
















October 2016


Yoko Ono and Christophe Cherix presenting Report US with the 2016 Courage Award at MoMA's Modern Restaurant, Sunday, October 30, 2016

















July 2016

Democratic National Convention

Exhibition: Truth to Power
















June 2016

The Daily Paperbacks are complete (31 for January)



Volumes 1–4 are complete.




May 2016

The bound book blocks arrive back in NY with Lee
for the final production phase.














March 2016

Delivery of the printed volumes and materials to
Lee Marchalonis in Detroit.




Printing of first four Volumes of Report US : January 2015, with 3,136 gun incidents.



Printing quality control, back and forth between Smudge and Boxer studio.






Robbin Silverberg and I experiment with pigments and process in making of the endpapers.




February 2016

Changed paper specs, winter dry air and paper grain cause unsurmountable problems printing with the paper shipment. The problem is resolved quickly with a new order of rolls from Hiromi in LA. Rolls are  cut down at Soho Letterpress and printing of VOLs 1, 2 & 3 proceed while editing continues on VOL 4.


January 2016

Paper shipment arrives from Japan. 
Leni at Smudge marvels at the packing.




Editing continues on the January reports. Experimenting and prototypes explored for the Daily books.


December 23 2015

News of the Yoko Ono Lennon Courage Award for 2016


December 5 2015

The final amount raised through the Tilt sourcing was $4,500.00. My deep thanks to all those who contributed.


November 9 2015

Tilt minimum goal was reached — total contributions as of today: $2,260. Many thanks to all our contributors.


October 11 2015

Tilt campaign reached $585.01. Efforts to spread the work about Report US continues. Contribute here.


October 6 2015

Tilt crowd funding campaign started.


September 30 2015

Cleo Gordon has joined our team as an intern and has begun to assist with the monumental data editing.


September 20 2015

Congratulations to Julia Geist, who has made big strides writing the code to extract our text from the media reports accessed from the GVA. This is a huge accomplishment towards the success of this project. I am very grateful for her participation, professionalism and talent.


August 28 2015

Colin Miles, co-founder of Wikiburg, and I are brainstorming about ideas to disperse the Report US data. This is just after the live feed shooting of two young journalists in Roanoke. I am proposing digital billboards and posters.





August 25 2015

Julia Geist, who comes to this project via Girls Who Code and Wikiburg, is on board to write a program that will extract reports data from  news sites.


August 20 2015

Designed and built


June 4–July 17 2015

Report US prototype book is exhibited at Francis Naumann Gallery’s exhibition: Past & Present, alongside works by Marcel Duchamp, Man Ray, Jacques Villon and others.


Colin Miles of Wikiburg wants to include Report US into his project’s lead cause and we agree to collaborate to get the word out towards obtaining funding for the project.


May 2015

Marykate King, Lauren Dickerhoof and Jane Lowe were part of my team of interns in the data extraction.



With the prototype complete, beautiful and largely successful, I redefine the project to cover incidents for 2015 instead of 2014 because links to some news websites had become obsolete.


During the first few months of the year I put together a budget for the large project and began to extract and edit 2015 data.


Everytown march over the Brooklyn Bridge


With the master prototype complete, I worked on ideas using the design and edited text and conceived and produced a prototype DAILY book, a paperback, on-demand print, through Blurb.


By the end of the summer 2014 I shifted and expanded the project’s concept. I would (somehow!) extract and edit every gun incident reported and sourced to the GVA for 2014, into 52 volumes, one per week, of approximately 2000 pages each.


On June 10, 2014 The New York Times posted their last entry of Nocera’s Gun Report. In contact with Jessica Mascia, Nocera’s assistant and the primary editor of Nocera’s gun reports, I contacted The Gun Violence Archive and established a method to obtain my data for the project though that source.


The master prototype was finished the last days of December, 2014. Happy New Year.  Incredibly beautiful.




In the meantime, throughout the summer and into the fall, I experimented with painting blood on cloth, first pig’s, then cow’s blood, (obtained from a local butcher). Sought advice from Karen Klingbiel, master textile conservator, in Dresden, on the book cloth and its reaction with blood. Ludwig Mohr, former advisor to Josef Beuys and Anselm Kiefer, advised me on how to work with blood chemistry. By November 2014 I had resolved the chemistry and the methodology for the book cloth that the book-binder would be able to work with. Continued dialog and advice with Robbin Silverberg on cloth and paper materials.




Lee Marchalonis, on board as master book-binder, began the signature sewing process at the Center for Book Arts, where she teaches.




Final text was edited and flowed into my design template, and edited again. Imposition pdfs were formatted by Leni Bergson at Smudge.


Laser printing of the text pages were done in my studio : 1,154 incidents on 2,308 pages in 73 signatures. This process took about 5 days.


Experiments moved to a different approach using loose pigment embedded into the paper with denatured alcohol. It took several months to find the right color and to perfect the process.




Extensive research for the right text paper eventually led me to Hiromi’s Asuka digital paper, 45 gsm. It fit the bill on several fronts; translucent, soft and ‘skin-like’, specially formulated for laser printing. Anne Noonan, at Soho Letterpress, cut the roles into 11 x 17 sheets.


Robbin Silverberg, a master book artist and paper maker, offered to experiment with me to make a red paper that would “bleed.” and she offered advice on how I might realize the binding of a massive book.


After many starts and stops I decided to use the edited Nocera reports from January 2013 for a prototype. A layout template was designed.



By mid-2013 I decided to condense my ideas into a book — a format that I knew well as a professional book designer.  The visual and structural concept was designed: Hand-bound of dictionary heft and proportion, using a thin, translucent, bible-like paper. The hard-cover cloth, treated with real blood. Endpapers made or treated with unfixed pigment, would “bleed” red when touched, leaving fingerprints as one leafed through the book. Font would be bold and solidly leaded, News Gothic Bold. If the type spread slightly when printed, like gun powder, all the better.  Centered, one report per page, like a mass of bullet holes.


I continued to research and feed Wilner anything I could find about the bizarre state of gun obsession.  What struck me the most were the individual reports about the incidents and the people affected.  During the month of February 2013 that I fed Wilner gun stories, I conceived a website,  and a digital billboard concept.




The seed for Report US began February 2013 during a month-long collaboration with artist Martin Wilner where I was asked to feed him news or thoughts, every day, for the entire month of February on anything of my choosing.  My first post to Martin read as such:

“I went to bed last night catching up on recent past issues of The New York Times, and discovered Joe Nocera’s op-ed on gun violence. The shootings, the culture, the politics. The gun culture in the US grabbed my total attention. I find the culture of guns so bizarre and surreal and the stories unreal.”



Time Magagine, 1968: very little has changed